Comparing blake’s london and wordsworths unpon west minster bridge Essay

How do the poets use Structure, language and form in the two poems to help present their visions of capital of the United Kingdom?William Blakes capital of the United Kingdom 1793 and William Wordsworths constitute upon Westminster Bridge 1802 stage two contrasting views of London. Having both been written in the Romantic period, the two poets use their personal experience of London to illustrate the divergent visions of the city. Wordsworth adopted the Petrarchan pattern (abba abba cdcdcd) to create his flowing sonnet that describes the silent, undying beauty of London the intimacy with his description could be inspired by classical poets much(prenominal) as Horaz, Virgil and Ovid. Blake however hardened to use a more harsh approach, delivering his dramatic reality of the dejected city. The two poems hold an expressive passion end-to-end and both have a deeper inner meaning than whats seen at surface value.At a first glance, these two poems seem the complete opposite. atomic nu mber 53 compliments the natural beauty of London whilst the other only states the traumatic situations faced by means of a sinister, dark city. This style could have been inspired by Blakes surrounding of the French revolution which was imminent over London, theres a possibility that the murder and violence could have encouraged Blake to conk his reality of the capital in the 18th century. Despite the obvious differences, the techniques and narrative set out by both poets are similar. Both Blake and Wordsworth chose to underline their visions of London by using some sort of rhyming scheme and iambs to manipulate the sounds and rhythm.Wordsworths undoubted admiration of London is expressed through his constant use of beauteous praises. He masters a faint use of a strange paradox through the first lines saying earth has nothing more average which exemplifies a tranquil, natural beauty, undisturbed by the obvious industrial city. The paradox having been established at the beginning of the octave stating the impossible unity of both a natural beauty and industrial development is explained towards the end through the line, like a garment, wear. This reveals that the city is wearing the natural beauty of the morning kind of than being it. This structural technique continues in his next lines completing his paradoxical image. The point that the city is bare relates back to the first contradiction by suggesting that London wears the smokeless air that is the fair beauty. Wordsworth uses the petrarchan pattern to compliment the image of the uninterrupted London.The poets emotion filled description of a motionless London implies that he rather prefers a non-industrializing, natural capital compared to the nineteenth centuries bustling metropolis. In his sestet (cdcdcd) the poet emphasizes the connection of whole poem has and how it coheres well together. He does this by using the sestet- steep, deep, asleep- to arrive at attention to that fact that the city is i nvalid in the way that the commerce of London has not yet awaken but is asleep. He keeps this in disposition whilst still stating that the fact of the matter is, the city is more alive through its natural presence. The way he describes the river glideth at his own sweet will gives the referee a sense of undisturbed freedom and also relates to the poets overflowing, relentless and poignant description.Wordsworth creates a more flattering image of London when he explains how the cheer has lightened it perfectly, neer did the sun more beautifully steep.The line in his first splendour, makes the poet appear to be referring to god through his supposedly absent minded call down of his but hes not because previously he mentioned that the never had the sun more beautifully steep.This makes sense as the idea of the sun steeping gracefully over London ties in with the poems overall goal to exploit the capital as some sort of wonderful place however the bushed(p) image of the originator who created valley, rock, or hill formulate the idea that Wordsworth is talking about god as having the first insight into the capital and how it hasnt changed through his eyes, looking past the ships, towers, domes, theatres and temples. Thus creating a more colloquial style of writing however there is the fact that this poem was written in the 19th century where everyone would have believed in god. This idea could be the underlining of the word sun.I believe that Wordsworths sole adopted style is gleam and poetic, he holds a passion for the topics he chooses to write about which flatter his nature inspired manner. Other poems by Wordsworth which support my supposition are I wander lonely as a cloud and Three years she grew in Sun and Shower.In the 4th stanza the tone of the poem absolutely changes into an ominous low mood with a lingering and menacing spell. The word most has a lasting significance in the line as it institutes the fact that prostitution is causing this wild midn ight rush. The changed tone of the poem and the imagery created in this stanza stands out as a dramatic close the blatantly sorrow-filled poem. Adding to the sharpness of the jaundice ending, the tone that is usually poetic with a bouncy rhythm has stopped delivering the full force of what Blake calls reality.